Read Remex: Toward an Art History of the NAFTA Era - Amy Sara Carroll file in ePub
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Remex: Toward an Art History of the NAFTA Era
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REMEX Toward an Art History of the NAFTA Era By Amy Sara Carroll
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Remex : Toward an Art History of the NAFTA Era by Amy Sara
REMEX : toward an art history of the NAFTA era (Book, 2017
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Remix re: mex remex: toward an art history of the nafta era city nafta-era performance and conceptualism's prehistory mexico city, readymade: the pias forms, mexico's 1968, and los grupos naco as the taco: no-grupo, maris bustamante's la patente del taco, and melquiades herrera's object lifeworlds post-1994 gdps and labor wars.
Amy sara carroll's books include secession (2012), fannie + freddie/the sentimentality of post-9/11 pornography (2013), and remex: toward an art history of the nafta era (2017).
Honorable mention: amy sara carroll, university of texas, austin, for remex: toward an art history of the nafta era (univ. Gates madsen, luther college, for trauma, taboo, and truth-telling: listening to silences in postdictatorship argentina (univ.
My art practice to lay bare the driving mechanisms that lay beneath the surface of remex: toward an art history of the nafta era (university of texas press).
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featuring dozens of compelling images, this transformative reading of borderland and mexican cultural production—from body art to theater, photography, and architecture—draws on extensive primary research to trace more than two decades of social and political response in the aftermath of nafta.
To use some of the same materials, allowing the song to reach a different audience; to alter a song for artistic purposes; to provide.
A tour de force that depicts a feedback loop of art and public policy--what carroll terms the allegorical performative--remex adds context to the long-term effects of the post-1968 intersection of df performance and conceptualism, centralizes women artists' embodied critiques of national and global master narratives, and tracks post-1984 border art's undocumentation of racialized and sexualized reconfigurations of north american labor pools.
Summer 2010 and every summer thereafter, she has participated in mexico city’s alternative arts space soma. Carroll’s critical monograph remex: toward an art history of the nafta era is forthcoming from the university of texas press under the auspices of their mellon latin american and caribbean arts and cultures publishing initiative.
20 jan 2018 share interests in remix studies and remix culture throughout the arts and by fans to provide access to and to preserve the history of fanworks.
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Remex: toward an art history of the nafta era by amy sara carroll (review).
Summer 2010 and every summer thereafter, she has participated in mexico city’s alternative arts space soma. Carroll’s first critical monograph remex: toward an art history of the nafta era is forthcoming from the university of texas press under the auspices of their mellon latin american and caribbean arts and cultures publishing initiative.
Remex presents the first comprehensive examination of artistic responses and contributions to an era defined by the north american free trade agreement (1994–2008). Marshaling over a decade’s worth of archival research, interviews, and participant observation in mexico city and the mexico–us borderlands, amy sara carroll considers individual and collective art practices, recasting nafta as the most fantastical inter-american allegory of the turn of the millennium.
[amy sara carroll] -- remex presents the first comprehensive examination of artistic responses and contributions to an era defined by the north american free trade agreement (1994-2008).
1600-2010, edited by julia skelly (aldershot: asghate, 2014), 1-18.
Amy sara carroll is the author of the poetry collections fannie + freddie/the sentimentality of post-9/11 pornography (fordham university press, 2013), chosen by claudia rankine for the 2012 poets out loud prize and secession (hyperbole books, 2012). She is also the author of remex: toward an art history of the nafta era (university of texas press, 2017), an examination of art created during and in response to the north american free trade agreement.
12 jun 2019 to celebrate the very people whose effort put ghana on the history map and continually enhances its image through the art of photography.
In 1998 in mexico city, amy sara carroll began researching what would become her book remex: toward an art history of the nafta era (university of texas press, december 2017). In that critical monograph, carroll engages several pieces included in below the underground: renegade art and action in 1990s mexico.
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Entre chismes: reading of remex: toward an art history of the nafta era (2017) – amy sarah carrollm date: thursday, march 5, 2020, 5:00pm to 7:00pm.
Description: remex presents the first comprehensive examination of artistic responses and contributions to an era defined by the north american free trade agreement (1994–2008). Marshaling over a decade’s worth of archival research, interviews, and participant observation in mexico city and the mexico–us borderlands, amy sara carroll considers individual and collective art practices, recasting nafta as the most fantastical inter-american allegory of the turn of the millennium.
Consider pursuing it professionally with one of the 5 best art and art history degrees october 26, 2020 staff writers are you ready to find your fit? do fine lines, bright colors, and unique textures fascinate you? does art intrigue you?.
2 oct 2020 remex: toward an art history of the nafta era by amy sara carroll.
13 jun 2019 remex ghana limited has announced the maiden edition of the grand pixels, established to recognize and honour outstanding on the history map and continually enhances its image through the art of photography.
‘those who enjoy what they do never have to work any more’. An intriguing article by sybrand zijlstra morf ) reports that 80 percent of students graduating from art academies pronounced themselves to be satisfied with their education.
Her first critical monograph, remex: towards an art history of the nafta era, was released on december 15 from the university of texas press. Carroll is spending the 2017-2018 academic year as a society for the humanities fellow, working on her next book, an exploration of three contemporary mexican filmmakers in the context of mexico’s global co-production.
Remex: toward an art history of the nafta remex presents the first comprehensive examination of artistic responses and contributions to an era defined by the north american free trade agreement (1994-2008).
17 oct 2014 i find the juxtaposition of the material in the first episode of ways of seeing with its digital remix particularly thought-provoking.
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Aesthetics, social philosophy and its history, ethics and moral psychology carroll's book remex: toward an art history of the nafta era (university of texas.
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Amy sara carroll is the author of secession (hyperbole books, 2012);fannie + freddie/the sentimentality of post-9/11 pornography (fordham up, 2013), chosen by claudia rankine for the 2012 poets out loud prize; andremex: toward an art history of the nafta era (university of texas press, 2017), selected for an honorable mention by the 2018.
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